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22. November 2018

AD VANDERVEEN declares on his new Blue Rose album: I Was Hank Williams !

Reminiscent of works like John Steinbeck’s Travels With Charlie or Bruce Springsteen’s Nebraska, the new album I Was Hank Williams by songwriter and singer Ad Vanderveen is a personal quest and an adventure. It is a quest for self-knowledge leading to spirituality, and an investigation into the origin of a dream. A dream that is old and has led the writer down a long road of countless songs and many records. It has a strong fascination for the new world, and is anchored in the old one. Remarkable of Vanderveen’s work may be the insights and influences of Eastern philosophy, which he has studied and practised for years, that shine a special light on different subjects, within a musical context of a distinct Western character.

Writing is like breathing for Ad and, although it doesn’t come quite as easy, it is a bare necessity for him, and so is playing. He is undoubtedly one of the most prolific writers in the genre and his work is considered to be of a consistent high level by fans, critics and peers (recently none other than Van Morrison personally invited him to be his opening act). Almost every year a new collection of AV songs in a different sphere and setting presents itself as a CD.

This year there’s even two: Where the previous releases, the diptych of Worlds Within (2017) and Denver Nevada (2018) were characterized by somewhat more extensive production and arrangements than is Vanderveen’s usual MO, for I Was Hank Williams there was a more minimal, direct and diverse approach. Voice and guitar, poem and music, remain center stage and keep the listener close to the content of the songs. Around that, charming and effective embellishments of horn and string arrangements, harmony vocals and old rootsy string instruments are weaved throughout the album, as well as ambient soundscapes enhancing the songs‘ atmospheres.


According to Ad: ‚A song should be able to stand on its own feet and come across without any bells and whistles, otherwise I don’t see the point in what I’m doing. It strikes me as disproportionate how much music seems to revolve around production, arrangement and even marketing these days. It’s like the packaging is more important than the content, while a song in itself is already something magical and miraculous; a poem and a message with a melody, a rhythm and a title – something complete with a distinct own identity, like a world you can live in‘.

It is this world the listener can be drawn into like in a very personal story, as in old folk tradition, without frills or distractions, and is able to visualize his or her own images and spheres, like reading a good book. As do many of his predecessors, old masters like Bob Dylan, Van Morrison or Neil Young, Ad Vanderveen has an instinctive way of working: „The Muse is a very fleeting and evasive thing and you have to catch it while it’s there. This goes for all of these recordings; they were made right after or sometimes even during the writing of the song, in the stage where the images and pictures are fresh and lively and close to their origin. Sometimes this was in a studio and sometimes in special locations like an old auditorium, or even the cave of Pythagoras. That Muse is certainly also present in the ambient spheres and sonic souvenirs of special moments that accompany these songs. A highlight being reuniting my mom and dad musically, on church organ and ragtime piano respectively, in a little piece called ‚Live and Give It All‘.“

09. November 2018

New album on Blue Rose by JESS KLEIN: Back To My Green !

Over a career that spans more than a decade and a half and has won her a devoted worldwide fan base, Jess Klein — who possesses what Mojo magazine calls “one of those voices you want to crawl up close to the speakers to listen to” has pursued a remarkable creative evolution that’s seen her dig ever deeper for resonant emotional insights, while continuing to refine her eloquently melodic, effortlessly accessible songcraft. Jon Pareles of The New York Times calls her “a songwriter with a voice of unblinking tenacity…who finds parables in the everyday and also finds humanity behind the archetypal.”


The Rochester, NY native began writing songs as a college student in Kingston, Jamaica, and is known for staking out brave lyrical and musical territory with such albums as Wishes Well Disguised (1998), Draw Them Near (2000), Strawberry Lover (2005), City Garden (2006), Bound to Love (2009), Behind A Veil (2012) and Learning Faith (2014) which Folk Radio UK calls “Unquestionably the finest album of her impressive career.” Jess spent eight years soaking up the live music culture of Austin, TX. Bootleg (2015) Jess’s live, full band album captures the dynamism of Jess onstage, backed by some of Austin’s top players. Jess was named a 2015 Finalist in the highly regarded Kerrville New Folk Competition.

Following a move from Austin to the tiny but vibrant town of Hillsborough, North Carolina, Jess joined forces with Producer Mark Simonsen (The Old Ceremony, Weems/Gerrard Band, film scores: Elephant Sighs, Radiation Veterans and Rareified) and Engineer Thom Canova (Amy Ray, 4 Non-Blondes, Oranj Symphonette) at Studio M in Durham, North Carolina to record a new album entitled Back to My Green.

On this striking collection of ten new originals, Klein’s incisive lyrics address living in uncertain times and the resilience that carries us through. Songs like “New Thanksgiving Feast”, “Tougher than I Seem”, and “Kid” look through the lens of a world-traveler and granddaughter of Russian Jewish immigrants, to celebrate the human capacity for healing and redemption during dark times. Guest vocalists include Gaelynn Lea and Jonathan Byrd. Simonsen and Canova’s deft production calls on influences including Motown, Classic Rock, Tropicalia and 70’s folk and creates a stirring backdrop to Klein’s passionate mezzo soprano on this timely and powerful album.

28. Oktober 2018

General Store new arrivals week 44/2018

12. Oktober 2018

General Store new arrivals week 41/2018

11. Oktober 2018

After three years the BOTTLE ROCKETS are back with the new album Bit Logic !

Bit Logic
BOTTLE ROCKETS Bit Logic CD
€ 14,90

Formed nearly 30 years ago, the Bottle Rockets helped forge a now-popular subgenre-small-town, middle-class, Midwest American roots rock-part right-to-the-gut poetry, part rock ’n‘ roll, all truth. Bit Logic is a different sort of album for the St. Louis natives and shows them at their most self-aware, self-challenging, and socially alert.

Recorded in St. Louis at Sawhorse Studios, engineered by Mario Viele and produced by longtime studio collaborator Eric „Roscoe“ Ambel (The Del-Lords, Steve Earle), the Bottle Rockets‘ 13th album has them looking at their unique stylistic blend through a different lens. While one of the group’s earmarks is constructing blue-collar anthems, Bit Logic has the quartet focusing outside themselves, at how change and adaptation affects the bigger picture.


„We were not planning any kinda ‚theme‘ to this album, but one kinda showed up,“ said lead singer and guitarist Brian Henneman. „If it’s about anything at all, it’s an album about existing in this modern world. Trying to dodge depression and anger. These songs are views from the moments when you’re mostly succeeding at it.“ Yet, to balance those times when success may seem just a breath out of reach, the album includes the infectious pop masterpiece „Maybe Tomorrow“ which offers an optimistic and buoyant outlook on momentary failure.

The band returned to its more democratic songwriting approach this time, which generated four co-written songs, in contrast to their previous and critically acclaimed album, South Broadway Athletic Club, which Henneman primarily wrote. Leading up to their time in the studio, Henneman sent around some bare-bones acoustic iPhone recordings that would serve as the album’s blueprint, and the group fleshed out one song a day by means of three 4-day studio sessions.

The group went into the recording sessions with a fresh outlook-to bring out more of their Americana influences and to write a record that more accurately reflected their collective approach. What they found while doing so surprised them.

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28. September 2018

VINYL! VINYL!! VINYL!!!

28. September 2018

General Store new arrivals week 37-39/2018

20. September 2018

THE BRANDOS – all the band’s studio albums for the first time on vinyl available!

The Light Of Day
BRANDOS The Light Of Day LP
€ 18,90
Pass The Hat
BRANDOS Pass The Hat LP
€ 18,90
Nowhere Zone
BRANDOS Nowhere Zone LP
€ 18,90

For the first time all the five regular studio albums of THE BRANDOS plus a rare compilation are now available on vinyl. All albums are limited to 300 copies and handnumbered. The re-release marathon comes to a perfect end with the fact that the vinyl revival still goes on and on.

14. September 2018

Welcome to Blue Rose: THE BLACK SORROWS!

„Do I move you?“ Joe Camilleri asks on The Black Sorrows‚ new album, Citizen John. „Is it thrillin‘?“

More than five decades into his illustrious career, the answer remains a resounding yes!


Citizen John – The Black Sorrows‘ 21st album – sits comfortably alongside the band’s finest work, including multi-platinum classics such as Harley and Rose and Hold On To Me. Albums that achieved considerable chart success both in their home country of Australia and in Europe.

The album showcases The Black Sorrows‘ sophisticated brand of soulful, bluesy roots music and production prowess. Joe wrote the record with his long-time compadre Nick Smith. The 10 original songs are complemented by covers of Bob Dylan’s underrated pop gem ‚Silvio‘ and Nina Simone’s ‚Do I Move You?‘ plus an original arrangement of a traditional number ‚Sitting On Top Of The World‘.

Citizen John comes nearly 35 years after Joe started The Black Sorrows at Melbourne’s Café Neon. Since then, the band has graced concert stages around the world, including building a passionate following in Europe, where Citizen John is released on the German label Blue Rose Records.
Highlights include ‚Lover I Surrender‘ – one of the Sorrows‘ finest love songs – and ‚Brother Moses‘, a life-affirming dose of playful blues, which sees Joe singing, „You can dance in your dreams, and trouble seems to leave your weary head.“

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31. August 2018

Vol. 1 only told half of the story – now comes Life And Soul Vol. 2 (Bargains Galore) telling the second part of JULIAN DAWSON’s adventures in music!

When, five years ago, Julian Dawson decided to bring out a personally chosen ‚Best Of‘ compilation with Blue Rose Records, Life And Soul was the perfect title for a look back at a uniquely varied musical odyssey.

As Geoff Wall noted in his sleeve notes, ‚I can’t think of another artist with a career path that includes collaborations with avant-garde pioneers Can, jazz genius Toots Thielemans, country royalty Charlie Louvin and Vince Gill, soul legends Dan Penn and Lucinda Williams and guitar heroes Duane Eddy, Richard Thompson and Steuart Smith!‘


The lovingly packaged three-CD first box-set was well-received by fans and critics alike, but with more than forty years and twenty albums to choose from, Volume I only told half the story…

Now comes Life And Soul Volume II, ‚Bargains Galore‘ (translates into German as something like ‚Reichlich Schnäppchen‘).

With another eye-catching cover, a lavish forty-page booklet and three CDs packed with more than sixty songs, Volume II brings us up to date. Julian again picked his personal favourites from seven albums recorded between 1997 and 2017. The new package features more rare photographs from Julian’s personal archive as well as recording details, reminiscences and background stories to each and every song.

Where Volume I loosely covered his major label years while fronting a band, the follow-up begins with Move Over Darling, his first acoustic venture, recorded in New York with producer Stewart Lerman and his old friend Steuart Smith (who has spent the last decade onstage with the Eagles).
Julian has always displayed great taste in his choice of musicians and collaborators. The quietly compelling songs on Move Over Darling were graced by additional appearances from guests Richard Thompson, The Roches and soul legend Dan Penn (a constant presence throughout this collection). The Doris Day song of the title sat comfortably alongside audience favourites such as ‚If I Needed Rain‘, ‚All The King’s Horses‘ and ‚Pilgrims‘, all captured here in pristine form.

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