THE WYNNTOWN MARSHALS are celebrating their 10th anniversary with the retrospective After All These Years!
The Marshals released their self-financed debut EP in 2008. Shortly after this, when invited by a New Jersey-based record label to submit a song for a ‚Hair Metal‘ tribute album, the Marshals chose to reinterpret L.A. Guns‘ homage to Jayne Mansfield, „Ballad of Jayne“; reimagining this glam-rock ballad as a swaggering roots-rock workout, replete with pedal steel, 12-string guitars, and twanging Telecaster. This cover version instantly captured the attention of legendary British broadcaster ‚Whispering‘ Bob Harris, who playlisted the single and championed the band on his BBC Radio 2 show. This led to a live session on the show and previously-closed doors began to open for the band around the UK and in mainland Europe.
Westerner, the band’s debut long-player, was released in May 2010 and was a success with critics across Europe and beyond. A review on the Belgian Americana website ‚RootsTime‘ proclaimed the album as „the best alt.country album from Europe ever“. At this point, the Marshals started to attract the attention of promoters in Europe, and hit the road in earnest, playing gigs throughout the UK and making their first forays in to the Netherlands, Spain, and Germany, building a strong, loyal following. Support slots with Americana luminaries such as Jason & The Scorchers, Richmond Fontaine, and Chuck Prophet followed.
With a bunch of great songs and harmony vocals like it were the seventies, the self released debut album of Cordovas was released in 2012. They did one tour and sold the 1000 copies they printed right away. And then the band disappeared and left behind a bunch of fans that suddenly realized that their new favorite band probably did’t exist.
About a year ago we picked up a rumor that Corovas were back on the roads and doing great. It turned out that the three year hiatus was exactly what the band leader and musical genius Joe Firstman needed to fulfill his vision of creating the best band in the world.
This is a dream come true! Rootsy Music is proud to a rerelease of the amazing debut album on CD and vinyl (for the first time ever).
“Gold Rush” is Hannah Aldridge’s second album, a follow up to her 2014 debut “Razor Wire.” While that album launched her career, drew the attention of music writers and sent her touring across the world, “Gold Rush” shows a more mature and introspective artist with more life experience – and music experience – under her belt.
The honesty Hannah Aldridge crafts into each track is off-set by her stubborn, maybe defiant, nature, which gives her music a hopeful silver lining.
“I start writing with ‘this is how I’m feeling and I need to talk about it.’ Doing that helps me sort out my own thoughts on it. My music is an introspective look at the things that happened in my life. It’s me trying to sort through and put feelings into words,” she said.
Hannah Aldridge is the daughter of Muscle Shoals legend Walt Aldridge. An Alabama Music Hall of Famer, Walt Aldridge is a prolific and decorated songwriter of countless Number One and Top Ten hits recorded by the likes of Lou Reed, Reba McEntire, Travis Tritt, Earl Thomas Conley, Ricky Van Shelton, Ronnie Milsap, and Conway Twitty.
Mixing her personal life and the sounds of her hometown, Hannah Aldridge’s new album also draws in influences from across the rock genre. Working with people with one foot in country music and one foot in rock, Hannah Aldridge makes a fresh kind of Southern Rock styled by Southern Gothic storytelling. You can hear it in “Gold Rush”’s ode to burning out, or in the yearning of “Burning Down Birmingham”, and anthem-for-the-lonely “No Heart Left Behind” – a track that is shot-through with wild riffs.
Recorded at Creative Workshop in Nashville, Hannah Aldridge worked with Muscle Shoals writers such as Mark Naramore, Tosha Hill, Matt Johnson and Brad Crisler and artists such as Andrew Combs, Ashley McBryde, Don Gallardo, Ryan Beaver, and Sadler Vaden on “Gold Rush.” She teamed up with Jordan Dean and M. Allen Parker, who were instrumental in working on her new album, and finally finishing by calling on her Dad, Walt Aldridge, to master the record. In total, Hannah Aldridge compiled a team of distinct talents to work with her. With their help, Hannah Aldridge has put together a progressive, creative and memorable body of work.
“It’s about being self-destructive,” Aldridge said of her new album. “That is the underlying tone. The album goes back to when I was younger, and after touching on that, to now. In ‘Aftermath,’ the very first line is: ‘I was born in a crossfire.’ It starts from day one.”
You can’t overlook the „9“, proudly displayed on the inner sleeve of Until The Night Turned To Day, the new album by the Great Crusades. This powerful four-piece from Chicago has been delighting audiences in Europe for 20 years, racking up more than 20 cross-Atlantic journeys. The Great Crusades have established themselves as a thrilling live act but while that reputation is well-deserved, it overshadows their achievements as recording artists. They are rarely perceived as the intelligently rocking, versatile, insightful-lyric-writing band that they are. Just in time for their early-summer tour, the band drop their 9th album Until The Night Turned To Day. After many years on Glitterhouse, this is their second album for Blue Rose Records and an apt successor for the much-lauded Thieves Of Chicago from 2014.
The Great Crusades were founded more than twenty years ago by band leader, singer, lyricist and guitarist Brian Krumm. As a front man with a powerful voice and performance he reminds us of Mark Lanegan, Nick Cave, Tito Larriva, Gary Floyd (Sister Double Happiness), John Kay (Steppenwolf), Joe Pena (Greyhound Soul) and Guy Kyser (Thin White Rope): an instantly recognizable shouter/singer/storyteller with a charismatic presence. After their first album from 1997, The First Spilled Drink Of The Evening, and moving from the rural midwest to Chicago, Krumm found a stable and as yet unchanged band formation with guitarist/keyboarder Brian Leach, bassist Brian Hunt and drummer/keyboarder Christian Moder to record the second album Damaged Goods (2000) with. These four also played on the following (Glitterhouse) albums Never Go Home (02), Welcome To The Hiawatha Inn (04), Four Thirty (06), Keep Them Entertained (07) and Fiction To Shame (10) as well as the aforementioned Blue Rose debut Thieves Of Chicago. On Until The Night Turned To Day they are supported by Brian Wilkie (pedal steel), Jake Brookman (cello) and singer Katie Todd.
Now in MIDPRICE (CD € 9,90):
ALECTRO – School Of Desire
AMERICAN AQUARIUM – Wolves
THE BOTTLE ROCKETS – The Bottle Rockets/Brooklyn Side (2CD)
THE BOTTLE ROCKETS – South Broadway Athletic Club
CODY CANADA & THE DEAPARTED – HippieLovePunk
TONY FURTADO – The Bell (2CD)
HIGH LINE RIDERS – Bumping Into Nothing
HOLLIS BROWN – 3 Shots
RICH HOPKINS & LUMINARIOS – Tombstone
STONEY LARUE – Us Time
JAMES MCMURTRY – Complicated Game
MICKY & THE MOTORCARS – Across The Pond/Live In Germany
ELLIOTT MURPHY – Aquashow Deconstructed
PSYCHO SISTERS – Up On My Chair, Beatrice
LEEROY STAGGER – Dream It All Away
THE STATESBORO REVUE – Jukehouse Revival
TITUS WOLFE – Ho-Ho-Kus N.J.
THE WYNNTOWN MARSHALS – Welcome To The Golden Age
Now in BUDGETPRICE (CD € 5,90):
BASKERY – New Friends
AMELIA CURRAN – They Promised You Mercy
LINCOLN DURHAM – Exodus Of The Deemed Unrighteous
WILLIAM CLARK GREEN – Rose Queen
DAVID GRISSOM – How It Feels To Fly
JESS KLEIN – Learning Faith
LOS LONELY BOYS – Revelation
WILLIE NILE – If I Was A River
MATTHEW RYAN – Boxers
WALTER SALAS-HUMARA – Curve And Shake
HANK SHIZZOE – Songsmith
PAUL THORN – Too Blessed To Be Stressed
US RAILS – Heartbreak Superstar
Hardly to believe but they finally made it – THE BRANDOS are back with the new studio album Los Brandos!
No other band on Blue Rose has ever taken a break this long! After many months of rumors, followed by clues and pieces of information distributed by mastermind Dave Kincaid, their loyal fans‘ dreams finally come true. After ten a half years The Brandos are back with a brand new studio album. Los Brandos is released just in time for their current tour of Europe. Truly, Los Brandos is the next great comeback of this New York-based band that is the embodiment of terms like „street credibility“, „old school rock’n’roll“ and „handmade electric guitar rock“.
Since their debut album Honor Among Thieves (1987) The Brandos have been delivering no-frills rock’n’roll dominated by crunchy guitars and a barnstorming raspy voice – a captivating mix of CCR, 60ies garage rock ethos, American roots with healthy doses of Irish folk and Latino border rock. Dave Kincaid is the band’s creative center and founding member, his band members fluctuate but since some of them eventually come back, there is a pool of Brandos musicians he keeps drawing from. But, clearly, Kincaid is the band’s undisputed leader, songwriter, guitarist, multi-instrumentalist, producer and the guy with the band’s amazing trademark voice. He has been working on Los Brandos for years and played 90 percent of the album’s guitar, bass, mandolin, keyboard and percussion parts himself in his Staten Island home studio. The analog-sounding final mix was concocted by Don Sternecker, known for his work with the Feelies, Neal Casal, Silos, Richard Barone and many others. He also worked on a number of previous Brandos albums including 2006’s Over The Border. Tommy Goss (who played on some songs of 1998’s Nowhere Zone) played drums. Guitarist Frank Giordano was a steady band member from ’96 to ’99 and added some parts to Los Brandos. Goss and Giordano will tour alongside Kincaid in a quartet completed by bassist Sal Maida (Cracker, Roxy Music, Sparks etc.).
Named after Marlon Brando’s famous movie „The Wild One“, the NYC-based band tumbled into turbulent times after the success of their first album Honor Among Thieves: Major label shenanigans, management trouble, personnel changes and a second album that was finished and then scrapped … it was almost a miracle when they reappeared in 1992 with Gunfire At Midnight. A successive string of albums – The Light Of The Day (94), Pass The Hat (96) and Nowhere Zone (98) – and regular tours including a Loreley show for German TV show Rockpalast cemented their status as a powerful rock band with something special. But they mainly focused on Europe in those years and slipped below the radar in the US.
In 2006 the Brandos joined Blue Rose Records and celebrated a successful comeback after an eight-year hiatus with Over The Border, a scorcher of an album with plenty of rocking Kincaid songs, some unexpected 60ies covers, some Irish folk and two border songs that foreshadowed the band’s future course – the opening title track and a surprise acoustic cover of „Guantanamera“ as the album closer.
„Over the border“ is the leitmotif for the new album Los Brandos! Latin American culture and the Spanish language have become a well of inspiration for Dave Kincaid. Five of the album’s ten songs are sung in Spanish (English lyric translations included) which brings out unexpected facets of Kincaid’s voice. In order to avoid misperceptions, though, the Brandos start proceedings with two rockers!
„Señor Coyote“ is the story of a contemptuous human trafficker who takes a lot of money for illegally bringing Mexicans into the US under terrible conditions. Is he „a demon of hell or the angel of my salvation?“ is the refugee’s question. ‚Querer A Los Niños‘ is dedicated to all children who are suffering from physical or psychological abuse in their own family. „Suffer In Silence“ is the first of five English-language songs, a panorama-sound guitar rock number, ready-made to become a a radio or festival hit. The well-structured semi-acoustic ballad „Woodstock Guitar“ delivers a smart storyline that stretches from the legendary 1969 festival via Van Morrison, Bob Dylan and The Band to today’s vibrant scene – from a delicate acoustic intro to fiery guitar salvos and pounding drums. It is contrasted by ‚Jacinto Chiclana‘, a melodic, romantic love song written by Tango great Astor Piazzolla. It’s a beautiful duet between honey-voiced Marta Gomez and Kincaid accompanied by keyboards and Spanish guitars.
The glistening guitar rock of ‚Maligna Presencia‘ is a classic, guitar-driven Brandos song – sung in Spanish. This song features a Tito & Tarantula vibe, ready-made for a Tarantino movie. „What Kind Of World“ is sparse acoustic folk in a melancholy solo performance by Dave Kincaid. ‚Bella Encantadora‘ is a moderately-paced melodic song with beautifully layered guitars, a strong hook and an exquisite guitar solo.
The raucous rocker „These Troubled Times“ comes closest in sound to Brandos classics like „Gunfire At Midnight“ and „Gettysburg“ with Kincaid’s rasp spitting out his angry lyrics about the desolate state of the world. But, alas, there’s hope: „These troubled times won’t bring us down, won’t make us blind.“ The album closes on an upbeat note with a good time cover of ‚A Todo Dar‘, a 1955 Latino hit for Pedro Infante, written by Ignacio Jaime, performed as high speed garage punk.